I think I found a new favorite subject to photograph: Lightning. This shot was a miracle for many reasons. First, it was a crazy coincidence that I had my equipment on me when I was here in this highrise. Second, this was my first attempt at shooting lightning ever. I didn't really know what settings to use, but through trial and error and an enormous amount of luck I was able to make this capture.
For those interested in capturing lightning, the concept is pretty simple. You'll need a tripod because you'll want the expsosure to last a few seconds. Since I was behind a rain covered glass window, I had to turn my aperture lo enough to get the fewest number of dust and rain drop spots in the frame. The rest is pure luck.
I plan to keep updating this tutorial, so please be sure to leave any advice or feedback in the comments section below. Let's get started...
I divided the tutorials into two videos, Part 1: Capturing the Brackets, and Part 2: Processing the Photo. There is really a lot that goes into both of these steps. I designed this tutorial for beginners and HDR experts alike, so feel free to skip any steps that you can't do (for example if you don't own a specific program that I am using, or your camera doesn't bracket in as many intervals), and you should also keep evolving your own workflow, don't change it completely based on what I provide here. This tutorial is the culmination of what I have learned over a couple of years making HDR images.
One thing that I left off is materials, these are very important, so here you go:
DSLR Camera: This is the most important. You can't do HDR without a camera, and I recommend a good one. The HDR process tends to bring out the details in the images that you will capture. Unfortunately, this means that if you don't use a good camera, the flaws in the images that you take will be exaggerated even more by the HDR process. It is also necessary to make sure that your camera does autobracketing. Autobracketing is the process by which your camera takes multiple pictures consecutively at various exposures. It is the process of combining these images that creates an HDR, so make sure your camera can do this. I shoot with a Nikon D700, most Nikon DSLRs are capable of autobracketing.
Tripod: A tripod is a necessary piece of hardware for shooting HDR. Since you will need to capture multiple images of the same subject, you need a tripod to keep your camera secure while your camera brackets away. I shoot with Induro CT-114 legs, and a Manfrotto 498RC2 head.
Adobe Lightroom 3: I use this software for manipulating my RAW photos and also storing my photo library.
Photomatix: This program is at the heart of my HDR processing. I use this program to combine all of the exposures that I take, and turn those images into a tonemapped, high dynamic range image.
Nik Color Efex 2.0: This is a series of photoshop plugins that I use in every HDR image that I produce. These filters are great for adding contrast, texture, and structure to HDR images.
Here are a few of my images cropped for the Motorola Droid. Enjoy these free of charge. Also, check out my iPhone Wallpaper Collection. I was hoping that I could make a collection dedicated to all Android phones. Unfortunately each phone running Android really has it's own resolution. So to the smaller crowd with Droids (like me), enjoy these, and let me know if there is an image on the blog that you would like cropped for the Droid not listed here.
Yesterday, while browsing one of my favorite non-photography websites, the topic of HDR came up in a comments discussion and one of the comments contained the following quote:
"HDR=The autotune of the photography world"
This ignorant commenter is relating the use of autotuning in the music industry - the process of digitally modifying a vocal track by making pitch corrections - to the creation of high dynamic range images. This implies two misconceptions about HDR that need to be cleared right now.
1. The HDR image creation process (also called tonemapping) is easy.
False. For proof, check out my HDR Tutorial. I think there are a lot of people out there that think HDR is simply a button on the camera or a program that easily turns a standard image into a tonemapped one. This is not true, it has taken me almost 2 years worth of trial and error with all the different sliders and settings possible, to get the production of my photography to where it is now, and I am still learning new things every day. No two images are ever the same, and each image that I produce requires a different balance of settings to achieve the right balance of light.
Ok, so maybe it is not easy to create a tonemapped image from brackets, but any amateur can create a compelling HDR once they learn tonemapping, right? This brings me to misconception #2.
2. The HDR process can turn any photo taken by an amateur photographer into something appealing.
This couldn't be further from the truth. When producing an HDR image, all the rules of good composition, lighting, and time of day still exist. If you don't believe me, take a look at some of my early work and you will notice a complete disregard for many of the core principles of composition. I will admit that a byproduct of the HDR process is the creation of excellent looking texture and this leads certain subjects to be more suited towards HDR than others. The below image of a wine cellar at Castello di Verrazzano is a perfect example of that. That does not, however, mean that any composition, with any set of f-stop, white balance, ISO, and expsoure settings would come out looking like the image you see below.
I give my readers the benefit of the doubt, and I believe that it is only a small percentage of people that still have these misconceptions about HDR photography. For the critics that are still out there though, I ask you to stop looking at HDR as some sort of cheap equivalent of autotuning in the music industry and start seeing HDR as what it really is. HDR is simply a breakthrough technology in the photography industry. Photographers can embrace this technology, or they can ignore it.
So I figured it would be a good idea to start a collection of my photographs cropped for iPhone wallpapers. If this catches on I would consider cropping some photos for Android, iPad and who knows what else.
I usually shoot in landscape mode which isn't ideal for the iPhone. Please leave any photo you would like to see here in the comments and I will see what I can do about getting them up here.
Today. This is 3 Sisters Peaks in Canmore, Alberta. Canmore is just 10 miles from Banff and the perfect town to stay in if you are visiting Banff - this information courtesy of the trusty Frommer's travel book. We spent 3 nights in this town, and didn't think to look for places to shoot here until the last day. A quick flickr search for "Canmore", sorted by interestingness of course, revealed to us that 3 Sisters Peaks was the place for photography, and we weren't disappointed. After driving through several ski homes - think summer homes for skiiing for anyone that wouldn't consider going somewhere cold for vacation - we we arrived at this beautiful lake. The weather was kind and calm, allowing me to capture this great reflection of color.
Many people have asked me for permission to use my photos as their facebook timeline cover photo. This is obviously cool with me, and I have taken the liberty of picking out 20 of my favorite photos and cropped them to the facebook timeline size for your use. I did also include a watermark to my facebook profile page, I know, I'm a sellout.
Today is a very special day on the blog. I am very pleased to introduce the first ever guest blog post: Brittany. I will keep her introduction short, because as you are about to find out, her writing skills put mine to shame. Brit and I just got back from a nine day european vacation. In addition to the recent europe pics, Brit has tagged along on manyofmyadventures. Without further ado...
Let me begin by confessing, I am by no means a photographer. I may spend a lot of time with one, but unfortunately, I really haven't absorbed anything he has tried to teach me. Honestly, ask me about white balance or bracketing or ISO settings, and you'll get nothing from me other than an expression of complete and utter bewilderment. However, having been beside our beloved ShutterRunner during many of his recent travels, I have come to truly appreciate the complexity of producing a great photograph. And let me stress, it can be an exceedingly taxing process. Not only does the photographer have to find the perfect moment to capture, but he then must set up his tripod, choose the right lens, find the appropriate settings on the camera, and manage to avoid hundreds of pesky tourists, all while trying not to bore his photographically challenged girlfriend on their first European adventure (well maybe that last one is unique to ShutterRunner). In my eyes, however, the greatest challenge a photographer faces in executing his craft is managing to preserve a moment while still remaining an active participant in that moment. Essentially, the difficulty lies in simultaneously preserving and experiencing the moment sought to be captured. Some distance between an individual and his experiences is undoubtedly created when he inserts a camera between himself and his surroundings. He risks becoming an outsider, someone who misses the magic unique to a singular moment in time that cannot and will not ever be recreated in the exact same manner. For these reasons, I did not take a single photograph when I studied abroad in Paris in late 2007. Despite the undeniably beauty of my surroundings and the millions of photo opportunities before me, I refused to be like the rest of my classmates, trapped behind their cameras, seeing the world through their lenses rather than their own eyes. I wanted to live each moment of my life in Paris without placing a shield between myself and those moments I knew I would never have the chance to relive. And in that regard, I very much succeeded. After three months, however, I was slightly saddened to come home with nothing but my memories. To this day, I truly regret my decision not to memorialize my experience in any tangible way.
Having recently been afforded the opportunity to go back to Paris, I wanted to do things differently this time around. And as luck would have it, I had an amazing photographer by my side to capture all of my new Parisian memories. Don't get me wrong though, I did not want this trip to become a picture taking free for all. I knew well enough from my first experience that falling into extremes is not the ideal avenue to pursue. Instead, we sought to strike a balance between preserving our memories and living each moment to the fullest. Whether it was snapping a million pictures in front of the Eiffel Tower and then sitting down to enjoy a picnic on the nearby lawns or it was sneakily snapping some shots in the Sacre-Coeur and then taking a seat on les escaliers de la butte while enjoying some beers and live music, we were able to successfully overcome the challenges of simultaneously preserving and experiencing each moment of our trip. Finding this ideal balance guarantees the best possible outcome: unbelievable memories and breathtaking pictures (like the one right below)!